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Joel Warren

Joel Warren

Straight Up Country

**1/2

 

 

She Don’t Miss Me Anymore/Straight Up Country (with Jason Allen)/ God Fearin’ Man/ Cowboys Cry

 

 

Producer: Eric Paul

Wynnesong Records WS1103

13:30

 

 

 

The press materials that came with the record indicate that the twenty four year old Warren was “ranching and rodeo reared”. The materials also listed some of his influences as being Clint Black, Garth Brooks, and Joe Diffie.  These statements alone drew my interest.

 

Expecting a degree of authenticity based on his background, and hoping that he drew well from his influences, I put the disc in, only to find something a bit less than what I had hoped.

 

Joel did make sure to bring in A-list musicians and delivers in a voice clear and strong. But the songs, and thus the project as a whole, sound like stuff you heard before.

 

About the choices, I point to the legacies of the 90’s stars listed above. The music they made (excluding Clint Black’s first album and Joe Diffie’s “Is It Cold In Here?”) besides not aging well, led to the likes of Daryle Worley. Worley’s notoriety has always puzzled me; his catalogue is typically trite and at times even boring.

 

What this has to do with Warren, you may wonder. Well, it was funny, in a not so surprising way, to see Worley’s name listed as one of the writers of the first track.

 

This track, “She Doesn’t Miss Me Anymore”, follows Worley’s way of taking an idea and only doing an OK job with it. It tells of a man who is always out while his woman waits in tears, but thanks to some kind of an awakening he’s at home now and now she doesn’t miss him anymore. Kim Williams and Larry Williams are also listed as writers. Remember them form the Garth years?

 

“Straight Up Country” is intended to define Joel as being nothing but country. It does swing a bit more than most releases these days, but list all the things he likes in a way that pales to Easton Corbin’s “I’m A Little More Country Than That.” Warren’s stand seems like the tracks that feed the recent music editorials that have stated to artists….. “Enough already……..we get it……your country.”

 

“God Fearin Man” probably serves as my favorite track maybe only because it made me have to consult the Bible to make sure I remembered Ephesians. The song tells of a man that claims to be religious but at the same time has a wife that is scared of him. “A God Fearin Man shouldn’t have a man fearin wife…” Warren wonders if the man suffers from a “misinterpretation of Ephesians 5:22”, and states that “he doesn’t know the difference between submission and abuse.” And suggests that if the man had read “on to Ephesians 5:25, he wouldn’t be losing her.”

 

I would thing from the selection that Warren is a man of faith, and I wholeheartedly believe that the Country Music genre is strengthened by any and all perspectives. I quite enjoyed seeing the view being included. My only problem is that the sentiment is stronger than the song itself.

 

“Cowboys Cry” finishes the EP. It again sounds like something you heard before. In this the singer has come to the end of a relationship and wants to make sure that he “turns to the wind and ride because girls don’t wanna see a cowboy cry”. Of course this notion has been done and done again.

 

So….what we are left with is an artist who has a strong voice and can probably deliver a great album. Hopefully, the next go around he will stay away from songs that (even if his influences had cut them) do not stand up to much scrutiny. With a better batch of songs, and maybe another year or two under his belt, Joel may just make something that won’t leave my player.

 

I wonder about his live shows? I think I’ll check his schedule………   

 

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